the air has the smell of bonfires about it with the sound of crunchy leaves underfoot. the temperature has dropped to almost winter levels and we are on our way through autumn with darker afternoons and longer evenings ahead. as usual there is still a lot going on in and out of the studio but I’m wearing warmer clothes now.
I’m happy to be an invited artist in a group show, Shifting States, at Espacio Gallery in London from 29 November to 11 December.
I will be showing work that began in the depths of the Dorset countryside adjacent to the sea along the Jurassic Coast. Taking inspiration from Seamus Heaney’s poem The Loaning, an Irish word for a pathway between two fields, I used the landscape as a compositional tool to play with colour, texture, space and form. a sense of being betwixt and between informed the work resulting in the lines between representation and abstraction becoming increasingly blurred.
and I have work in 2 upcoming print shows: the Printmakers Council Loosely Bound 18 November to 1 December and East London Printmakers Festival of Print 2 – 11 December
In October I was delighted to have 3 pieces from my history painting series on show at the Wells Art Contemporary annual exhibition in the Bishops Palace, Wells, Somerset. they were selected by Justin Mortimer, one of the judges this year. Since I saw his portrait of Harold Pinter in 1992 I have liked and followed his work so it was a pleasure meeting him at the private view and I was happy to be able to thank him for selecting my work for the show.
16 days of open studios done and dusted. sales wrapped, prints packaged, visitors book swelled to bursting, hurrah! and not a single dog biscuit left. happy and grateful for the number of visitors who came, looked, talked and bought. a big thank you to my family and friends for keeping me fed and watered throughout. Dorset Art Weeks will be back again in 2018.
a little later than planned, my new year post. wishing you all a healthy, peaceful and creative 2016.
december in the english countryside, dead pheasants are hanging everywhere. on people’s front doors and gates, left by someone who’s shot too many and thinks the recipients would be glad of a roast. yes, a little shocking but true and there they are hanging in all their beauty or lying on the side in someone’s kitchen or at the butcher’s. they run across the road in front of cars in the lanes, no flight, a stupid weaving like a drunk across the path of oncoming cars. everywhere and I didn’t think about it really except that I find them beautiful even when no longer alive. for awhile at least. and there’s a tradition in ‘art’ to paint them. my sketchbook is full of them. here is a selection of monoprints, drawings and paintings. I’m wondering what it means and hope to find out as I carry on.
I’ve had such a busy summer I’m practically tripping over myself as I realise it’s October already! playing with colour and texture, marrying linocuts with paint, paper and ink. here is a selection of linocut prints from the last 3 months
I’ve been looking at composition, and making studies with ink, chalk and charcoal
I’ve done some painting too and this is my favourite from the summer’s easel
I have some work with 11 other artists showing our own unique journeys into making art. each artist is ‘making seen’
the creative processes essential to the development of their work, allowing the viewer a glimpse into sources of inspiration. an invitation to see the ideas unfold, evolve and eventually develop into finished pieces.
Ernest Hemingway said ‘live the full life of the mind, exhilarated by new ideas, intoxicated by the romance of the unusual’. for me, there is a lot more romance in the ‘usual’. here are some recent painting and drawings about that.
heat and horse flies keep me away from my abandoned farms but the garden is full of flowers. dead heading the geraniums a good bit came off so I put it in water and looked at it in the cool of the studio. the same with a delphinium which came a little too late. I tried to paint quickly without thinking and using as few strokes as possible.
I hope you are enjoying your summer, wherever you might be.
it’s been a busy month with paintings and drawings in 2 London shows: Portraits and no barking aRt. once the work was in there was room to manoeuvre myself back outside to contemplate the painting I had left on the easel at the beginning of April and the issues I hadn’t been able to resolve. it’s finished now and I’m pleased that the come here/keep away feeling that I was aiming for is more apparent in this piece than earlier ones in the series.